Staff Picks Spotlight

Staff Picks Spotlight - Melissa M.

Melissa

Mistborn by Brandon Sanderson

This fantasy story follows the main character, Vin, who is a young female thief trying to survive on the streets. When she gets saved by an ambitious leader of thieving crew, she gets swept away along with their plans to overthrow the unjust government and comes across something she never expected: people she can truly trust. The characters are realistic and the story shows how people can have hope even after experiencing horrible things. Quite simply, I loved this book.

Shoot Like a Girl by Mary Jennings Hegar

This is a nonfiction account of an Air National Guard’s experiences in three tours of Afghanistan piloting medevac missions. Told in her point of view, this story shows her - at times strenuous - journey to rescue her allies in the middle of a firefight despite being injured. Her story

become a pilot, leading up to a intense mission where she still manages to she kept fighting for women’s rights back home. At times both funny and moving, portrays the struggles many female soldiers face in the military, and shows how this is a story worth reading.

Ambulance Girl by Jane Stern

Jane Stern was a middle aged woman when she decided to become an EMT. She was plagued by depression and anxiety. Overweight and terrified by illness and injury she knew she had to do something for herself to overcome her fears and take charge of her life again/ This is the true story of how she pushed passed all of her fears and insecurities to help people, and in doing so, help herself. The book describes the different patients she helped and those she state. It’s a quick read, and it gives the reader a deep respect for EMTs and lost, and gives insight on how the EMT calls affected her marriage and mental health and all those who have the courage to overcome their fears.

Comments

Fault Lines by Nancy Huston

Shortlisted for the Orange Prize in 2008, Fault Lines takes an interesting narrative approach and follows four generations of a family counter-chronologically. Family secrets start to unravel as each generation's character is revealed. We first meet 6 year old Sol, a coddled spoiled brat of a character, as he and his family are on a trip to Germany to revisit a long-lost relative. Huston then introduces the reader to the other generations; his father Randall, grandmother Sadie, and great grandmother Erra. As each character's story unfolds, you can see how each narrative weaves into one. The last section, which centers on Erra, is the most eye-opening one and is the final piece of the novel's puzzle. I don't want to say much more because it'd be giving too much away, but suffice it to say, it's a pretty intense (and sad) read.

The Reader by Bernhard Schlink

A short but very moving tale about a man who uncovers the awful truth about a former lover. Michael is 15 when he first meets Hanna, who is 36. Despite the creepy age difference, the two become lovers, though Michael is far more captivated by the mysterious and distant Hanna than she is to him. Their affair is all too brief and one day, Hanna just disappears. Years later, Michael unintentionally sees Hanna as the defendant when he is observing a court case for law school. As Michael slowly learns about Hanna's horrible past, he must struggle to accept the question - if he loves (or loved) a monster, what does that make him? There is redemption in the end, but it's very bittersweet. And of course, they made a movie out of this one. If the weather is decent, perhaps I'll go see it this weekend - Kate Winslet is supposed to be fabulous.

"A Banquet of Consequences" by Elizabeth George

Elizabeth George's Inspector Lynley mystery series is probably one of my favourites in the style of English detective stories. It's the series that I keep returning to, when I slip into a reading rut and can't focus on reading something new, particularly to the first book in the series A Great Deliverance. While there are lots of decent mystery series circulating now, the first book in George's Lynley stories has a certain grim insistence about it that keeps drawing me back to it. And in her latest contribution to the series, George has written a story that in many aspects parallels her first--however, these parallels did not become immediately apparent until the climax of the story. One of the things that I like best about Elizabeth George's writing is that she realises that a lot of times, the supporting characters can have better story potential than the main title character. She uses this to her advantage in almost all of the Lynley seri...

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