The Lonely Polygamist by Brady Udall

Golden Richards is just like your average guy. He worries about money, getting older and trying to avoid a mid-life crisis. The kicker? Golden is the titular polygamist with 4 wives and 28 children (+ or - a few stillborns and miscarriages). And as one might expect, life in the Richards house (or houses as the case may be) can get a little chaotic. The book focuses on just a few characters in the house - Golden, his 4th wife Trish and son Rusty. Each family member has their own proverbial crosses in life to bear - Golden tries hard to live his life by the Principle, desparately trying to avoid an affair with his boss' wife. Trish struggles with the loneliness comes with being part of a polygamist family. And Rusty just wants to be noticed and not humilated on a daily basis by his obscenely large family. Udall's book is funny and just an overall a good story about the American family. Fans of the TV show Big Love will probably enjoy it.

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Fault Lines by Nancy Huston

Shortlisted for the Orange Prize in 2008, Fault Lines takes an interesting narrative approach and follows four generations of a family counter-chronologically. Family secrets start to unravel as each generation's character is revealed. We first meet 6 year old Sol, a coddled spoiled brat of a character, as he and his family are on a trip to Germany to revisit a long-lost relative. Huston then introduces the reader to the other generations; his father Randall, grandmother Sadie, and great grandmother Erra. As each character's story unfolds, you can see how each narrative weaves into one. The last section, which centers on Erra, is the most eye-opening one and is the final piece of the novel's puzzle. I don't want to say much more because it'd be giving too much away, but suffice it to say, it's a pretty intense (and sad) read.

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"A Banquet of Consequences" by Elizabeth George

Elizabeth George's Inspector Lynley mystery series is probably one of my favourites in the style of English detective stories. It's the series that I keep returning to, when I slip into a reading rut and can't focus on reading something new, particularly to the first book in the series A Great Deliverance. While there are lots of decent mystery series circulating now, the first book in George's Lynley stories has a certain grim insistence about it that keeps drawing me back to it. And in her latest contribution to the series, George has written a story that in many aspects parallels her first--however, these parallels did not become immediately apparent until the climax of the story. One of the things that I like best about Elizabeth George's writing is that she realises that a lot of times, the supporting characters can have better story potential than the main title character. She uses this to her advantage in almost all of the Lynley seri...

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