Testimony by Anita Shreve

Avery Academy, set in the woods of Vermont, seems like the last place for a scandal to happen. Unfortunately, all bets are off when it comes to teens and alcohol. When a sex tape is found involving 3 boys and a 14 year old girl, countless lives are shattered and not many are spared - whether it's the headmaster, the boys themselves, or their poor parents who are left wondering "how could this have happened?"

I really liked the use of multiple points of view for this novel, because when something scandalous happens, it helps to hear all sides of the story. This could have easily been written from a headmaster's perspective (or even from the character of Silas) and it would have been great, but having so much insight from so many people really made this book seem more 3 dimensional to me. Jodi Picoult follows the same strategy for her novels, even going so far as to change the font depending on the character (which seems a little much, but whatever), and it's a fabulous way to wrap so many narratives together.

My only (small) complaint was that Shreve uses TOO many narratives that at times, it got a little confusing. I understand why she wanted to show how the scandal affected lots of individuals, but in all honesty, hearing the lunch lady's perspective really did nothing for the story. Other than that, it was a great read!

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Fault Lines by Nancy Huston

Shortlisted for the Orange Prize in 2008, Fault Lines takes an interesting narrative approach and follows four generations of a family counter-chronologically. Family secrets start to unravel as each generation's character is revealed. We first meet 6 year old Sol, a coddled spoiled brat of a character, as he and his family are on a trip to Germany to revisit a long-lost relative. Huston then introduces the reader to the other generations; his father Randall, grandmother Sadie, and great grandmother Erra. As each character's story unfolds, you can see how each narrative weaves into one. The last section, which centers on Erra, is the most eye-opening one and is the final piece of the novel's puzzle. I don't want to say much more because it'd be giving too much away, but suffice it to say, it's a pretty intense (and sad) read.

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"A Banquet of Consequences" by Elizabeth George

Elizabeth George's Inspector Lynley mystery series is probably one of my favourites in the style of English detective stories. It's the series that I keep returning to, when I slip into a reading rut and can't focus on reading something new, particularly to the first book in the series A Great Deliverance. While there are lots of decent mystery series circulating now, the first book in George's Lynley stories has a certain grim insistence about it that keeps drawing me back to it. And in her latest contribution to the series, George has written a story that in many aspects parallels her first--however, these parallels did not become immediately apparent until the climax of the story. One of the things that I like best about Elizabeth George's writing is that she realises that a lot of times, the supporting characters can have better story potential than the main title character. She uses this to her advantage in almost all of the Lynley seri...

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