Skip to main content

Gone with the Wind by Margaret Mitchell


Back when I was a snotty teenager, my mother loaned me her copy of Gone with the Wind, declaring that it was one of her favorite books of all time. I, of course being a brat, pushed the recommendation aside and forgot all about it. Fast forward to about 3 weeks ago when I decided to give Mitchell's novel a chance after all. All I can say is what a difference a few years makes!
Set in Georgia before, during, and after the Civil War, Gone with the Wind is an epic of mammoth proportions depicting the evolution of its heroine (or villian, depending on how you look at it), Scarlett O'Hara. As the Southern Confederates bravely fight the Civil War, Scarlett and a cast of dear characters (including Melanie Wilkes, the wife of the man Scarlett is desparetely in love with and Mammy, the black nanny that raised both Scarlett and her mother from infancy) must cope with a complete change in lifestyle, battling hunger, violence, fear and even the threat of death.
Talk about a multi-dimensional character - Scarlett is fascinating - you simultaneously want to slap her for being such a bitch or commend her for her shrewdness. Though the bulk of the novel deals with Scarlett's longing for Ashley Wilkes, it's the scenes with her and Rhett Butler that are the most interesting and dynamic.
Despite the obvious racism and pro-Confederacy leanings, some say that GWTW is, in fact, the Greatest Novel ever written. After selling something like 25 million copies, I'd say that's a fair judgment. I guess Mom was right after all.

Comments

Popular posts from this blog

Fault Lines by Nancy Huston

Shortlisted for the Orange Prize in 2008, Fault Lines takes an interesting narrative approach and follows four generations of a family counter-chronologically. Family secrets start to unravel as each generation's character is revealed. We first meet 6 year old Sol, a coddled spoiled brat of a character, as he and his family are on a trip to Germany to revisit a long-lost relative. Huston then introduces the reader to the other generations; his father Randall, grandmother Sadie, and great grandmother Erra. As each character's story unfolds, you can see how each narrative weaves into one. The last section, which centers on Erra, is the most eye-opening one and is the final piece of the novel's puzzle. I don't want to say much more because it'd be giving too much away, but suffice it to say, it's a pretty intense (and sad) read.

The Reader by Bernhard Schlink

A short but very moving tale about a man who uncovers the awful truth about a former lover. Michael is 15 when he first meets Hanna, who is 36. Despite the creepy age difference, the two become lovers, though Michael is far more captivated by the mysterious and distant Hanna than she is to him. Their affair is all too brief and one day, Hanna just disappears. Years later, Michael unintentionally sees Hanna as the defendant when he is observing a court case for law school. As Michael slowly learns about Hanna's horrible past, he must struggle to accept the question - if he loves (or loved) a monster, what does that make him? There is redemption in the end, but it's very bittersweet. And of course, they made a movie out of this one. If the weather is decent, perhaps I'll go see it this weekend - Kate Winslet is supposed to be fabulous.

"A Banquet of Consequences" by Elizabeth George

      Elizabeth George's Inspector Lynley mystery series is probably one of my favourites in the style of English detective stories. It's the series that I keep returning to, when I slip into a reading rut and can't focus on reading something new, particularly to the first book in the series A Great Deliverance. While there are lots of decent mystery series circulating now, the first book in George's Lynley stories has a certain grim insistence about it that keeps drawing me back to it. And in her latest contribution to the series, George has written a story that in many aspects parallels her first--however, these parallels did not become immediately apparent until the climax of the story.       One of the things that I like best about Elizabeth George's writing is that she realises that a lot of times, the supporting characters can have better story potential than the main title character. She uses this to her advantage in almost all of the Lynley seri...