The Princess Bride: S. Morgenstern's Classic Tale of True Love and High Adventure by William Goldman

As a major fan of the film, I decided to give the novel a whirl. Goldman's book is designed to appear as an abridged version of a much larger satiric work by S. Morgenstern, a Florinese (fictitious) writer. I'm not going to lie - I actually believed all of this at first, so color me naive. The story is about murder, magic, torture, friendship, fencing, monsters and above all else, true love. Through various twists and turns, Princess Buttercup is about to marry the evil Prince Humperdinck, though her heart belongs to Westley. Add a bunch of wacky and wonderful characters to the mix and you have a fabulous story for the ages.

Goldman also was in charge of writing the screenplay to the film, so the bulk of the book made the leap onto the big screen, including choice bits of dialogue, which is awesome.

"Hello. My name is Inigo Montoya. You killed my father. Prepare to die."

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Fault Lines by Nancy Huston

Shortlisted for the Orange Prize in 2008, Fault Lines takes an interesting narrative approach and follows four generations of a family counter-chronologically. Family secrets start to unravel as each generation's character is revealed. We first meet 6 year old Sol, a coddled spoiled brat of a character, as he and his family are on a trip to Germany to revisit a long-lost relative. Huston then introduces the reader to the other generations; his father Randall, grandmother Sadie, and great grandmother Erra. As each character's story unfolds, you can see how each narrative weaves into one. The last section, which centers on Erra, is the most eye-opening one and is the final piece of the novel's puzzle. I don't want to say much more because it'd be giving too much away, but suffice it to say, it's a pretty intense (and sad) read.

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"A Banquet of Consequences" by Elizabeth George

Elizabeth George's Inspector Lynley mystery series is probably one of my favourites in the style of English detective stories. It's the series that I keep returning to, when I slip into a reading rut and can't focus on reading something new, particularly to the first book in the series A Great Deliverance. While there are lots of decent mystery series circulating now, the first book in George's Lynley stories has a certain grim insistence about it that keeps drawing me back to it. And in her latest contribution to the series, George has written a story that in many aspects parallels her first--however, these parallels did not become immediately apparent until the climax of the story. One of the things that I like best about Elizabeth George's writing is that she realises that a lot of times, the supporting characters can have better story potential than the main title character. She uses this to her advantage in almost all of the Lynley seri...

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